Major scale

be sure to play these two patterns in all keys

be sure to play these two patterns in all keys

play in all keys

play in all keys<a href="<?php simple_facebook_link(''); ?>">Share on Facebook</a>

This entry was written by admin, posted on June 3, 2009 at 1:24 am, filed under Lessons and tagged , , , , , . Bookmark the permalink. Follow any comments here with the RSS feed for this post. Post a comment or leave a trackback: Trackback URL.

10 Comments

  1. admin
    Posted June 6, 2009 at 7:58 pm | Permalink

    It is important to play these in all keys. Another part of this lesson is playing in groups of 3 (triplets) like in the key of c: cde,def,efg,gab etc…
    also, groups of 4 5 6 and 7
    another groundbreaking technical exercise would be to play them in 3rds like in the key of c: ce,df,eg,fa,gb etc…
    Also try other intervals (definition of an interval is the distance between 2 notes…..I like “the jazz language” by Dan Haerle for music theory) like 4ths 5ths 6ths 7ths 9ths 10ths 11ths 13ths
    If you get this far and do this in all keys try playing DIATONIC TRIADS in position, like: ceg,dfa,egb,fac,gbd,ace,bdf
    This can lead to DIATONIC 7ths: cegb,dfac,egbd,face,gbdf,aceg,bdfa, which also can be played in the position of the scale pattern. Remember, the best student always expands upon the lesson.

  2. admin
    Posted June 6, 2009 at 8:03 pm | Permalink

    Of course, these exercises are applicable to all scales and modes

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2 Trackbacks

  1. By Kylie Batt on April 20, 2010 at 9:53 pm

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